Set in Uppsala, Sweden, as the story opens, the winter weather is terrible, and a son awaits the return of his father, John Harald Jonsson. However, John Jonsson isn't coming home that night, or any other night because he's been murdered. Not only that, but there is evidence that John has been tortured. His wife, Berit, can't think of anyone that would want to hurt him let alone want him dead. Enter the police department, with the investigation being led by Ola Haver, who has some personal issues of his own, and investigated on the sidelines by Ann Liddell, who's still on maternity leave and really wants to get back to her work on the force.
The book is not only a story of the investigation of John's murder, but focuses on the effects of this crime on not only those left behind, but on the police as individuals. Eriksson's skill here is in her ability to create characters who come off as being real, as well as her ability to create and sustain an incredibly somber atmosphere throughout the novel. The mystery is okay, but there's just something about this woman's writing and her ability to create that transcends the plot. Eriksson's skill here is in her ability to create characters who come off as being real, as well as her ability to create and sustain an incredibly somber atmosphere throughout the novel. The mystery is okay, but there's just something about this woman's writing and her ability to create that transcends the plot.
I would definitely recommend this novel to readers who want something different than what's currently out there. Readers of more mainstream-type mystery novels may be less likely to enjoy this one, but I find European mystery novels, for the most part, to be more to the point, less cutesy and more intense than what's available on most bookstore shelves.
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